I have drawn from elements portrayed in the film and the ballet, in an attempt to capture the most relevant physical references made through physical movements and language, that relate to the volatility of the human mental condition. The person in these images is presented as a form of art, but in fact, she herself suffers from a series of psychiatric conditions. It is living proof of the beauty within all of us and is symbolic of the hidden historical beauty of the Howard Smith Wharves site within the broader modernising city context. The form created by the juxtaposition of the Storey Bridge and the city background will embody the social and cultural effects which create volatility and turmoil in our mind's representations of everyday life. This will also be projected in the building envelope through the triangular metal forms (as seen in the images).
Ever since I began caring for someone with a distinct hidden beauty, I wanted to find a way to express this through architectural language. I feel like this is something which I can execute well due to my life experiences. A romantic, elegant, and misunderstood part of the city is represented in this place. A blatant contrast in form and geometry is also generated through the organic curvature of the bodily form and the rough tectonic nature of the steel triangulated structures which allow natural light, and dark shadows to form over the abstracted body and make reference to the original node design. This is in acknowledgement of the tougher times which shadow the mind, which also, in contrast, generates a reveal of light and promise for the future.















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